The Dressing

sponsored by Scene4 Magazine (Scene4.com)

Sunday, December 25, 2022

Jane Anger: The Disarming of Shakespeare

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  What is a revenge comedy?   The Dresser asks because on December 24, 2022, she saw Talene Monahon’s Jane Anger at the Michael Klein S...
Saturday, November 5, 2022

The Urgency of Publishing Ukrainian War Poems

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    Recently the Dresser received an early-in-the publishing-process ARC—advance review copy— And Blue will Rise over Yell...
Tuesday, October 4, 2022

21st Century Consort Features the Works of Women Composers

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On October 1, 2022, the 21 st Century Consort under the artistic direction of Christopher Kendall and hosted by the Hirs...
Sunday, September 11, 2022

From Old Roots—New Orpheus Opera

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      The IN Series of Washington, DC under the direction of Timothy Nelson and in partnership with Theatre Nogaku (an in...
Wednesday, August 10, 2022

The Fado of Port of Leaving

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        Port of Leaving , a collection of poetry from Finishing Line Press, by Roberto Christiano is a journey into the suffering inherent w...
Thursday, May 26, 2022

Hurry: Waning Days “Picasso: Painting the Blue Period” at Phillips Collection

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  If you have been dawdling about whether to see “Picasso: Painting the Blue Period” at Washington, DC’s Phillips Collecti...
Monday, May 2, 2022

Opera from the P.O.

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    UrbanArias at Washington, DC’s Keegan Theatre has produced a vibrant world premiere with Stephen Eddins’ chamber opera Why I Live at th...
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About Me

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Karren Alenier
is author of how we hold on and seven other collections of poetry, including Looking for Divine Transportation, winner of the 2002 Towson University Prize for Literature, and The Anima of Paul Bowles. Her poetry and fiction have been published in such magazines as: the Mississippi Review, Jewish Currents, and Poet Lore. Gertrude Stein Invents a Jump Early On, her opera with composer William Banfield and Encompass New Opera Theatre artistic director Nancy Rhodes premiered at New York City’s Symphony Space Leonard Nimoy Thalia in June 2005. She is working with composer Janet Peachey and director Nancy Rhodes on What Price Paradise. She writes a monthly column on opera for Scene4 Magazine at scene4.com.
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