The Dressing

sponsored by Scene4 Magazine (Scene4.com)

Wednesday, August 10, 2022

The Fado of Port of Leaving

›
        Port of Leaving , a collection of poetry from Finishing Line Press, by Roberto Christiano is a journey into the suffering inherent w...
Thursday, May 26, 2022

Hurry: Waning Days “Picasso: Painting the Blue Period” at Phillips Collection

›
  If you have been dawdling about whether to see “Picasso: Painting the Blue Period” at Washington, DC’s Phillips Collecti...
Monday, May 2, 2022

Opera from the P.O.

›
    UrbanArias at Washington, DC’s Keegan Theatre has produced a vibrant world premiere with Stephen Eddins’ chamber opera Why I Live at th...
Saturday, April 30, 2022

Searching for Poetry in the Whitney Museum Biennial

›
  T he Dresser and her companion, also a poet, attended the Whitney Museum Biennial Quiet as It’s Kept on April 25, 2022. ...
Saturday, April 23, 2022

The Held and Firmly Bound IOU

›
            Nathalie Anderson’s long poem Held and Firmly Bound puts a unique spin on race relationships in America. The...
Saturday, February 19, 2022

The Many Levels of Damage Done

›
  The Damage Done by Susana H. Case is an accomplished novella in verse that is partly murder mystery, partly political i...
Saturday, January 22, 2022

Of Crawdads & Stilt Houses

›
  The Dresser asks, what makes one book a better seller than another?   In the last several years, two books launched ...
‹
›
Home
View web version

About Me

My photo
Karren Alenier
is author of how we hold on and seven other collections of poetry, including Looking for Divine Transportation, winner of the 2002 Towson University Prize for Literature, and The Anima of Paul Bowles. Her poetry and fiction have been published in such magazines as: the Mississippi Review, Jewish Currents, and Poet Lore. Gertrude Stein Invents a Jump Early On, her opera with composer William Banfield and Encompass New Opera Theatre artistic director Nancy Rhodes premiered at New York City’s Symphony Space Leonard Nimoy Thalia in June 2005. She is working with composer Janet Peachey and director Nancy Rhodes on What Price Paradise. She writes a monthly column on opera for Scene4 Magazine at scene4.com.
View my complete profile
Powered by Blogger.