The Dressing

sponsored by Scene4 Magazine (Scene4.com)

Wednesday, March 11, 2020

Briscula the Magician—A Look at Facism and Bliss

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On March 8, 2020, the Dresser attended a premier performance of Briscula the Magician by composer Frances Pollock and first-time libretti...
Monday, February 10, 2020

Folger Consort—Palestrina & Renaissance Women Composers

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In a period of abject political rectitude given the negative outcome of the Senate’s vote on including witnesses and documents in the tria...
Thursday, January 30, 2020

No Blue Memories—The Gist of Manual Cinema

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No Blue Memories: The life of Gwendolyn Brooks by Chicago’s Manual Cinema is theater that combines poetry, shadow puppetry, acting, and o...
Saturday, January 18, 2020

The Dulce et Decorum of Glory Denied

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Glory Denied with words and music by Tom Cipullo based on the book by Tom Philpott is a thoroughly engaging 90-minute ...
Tuesday, January 14, 2020

WNO’s Skinny Operas

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In the eight year of Washington National Opera’s American Opera Initiative, the three engaging twenty-minute operas prem...
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Friday, January 3, 2020

The Wistful Liveliness of The Dead

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Coming late—January 2, 2020—to Scene Theatre's and Robert McNamara’s seamlessly lyrical production of TheDead , an award-winning musica...
Wednesday, November 27, 2019

The Erstwhile Blues of Thomas’ Hamlet

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On November 24, 2019 at George Washington University’s Lisner Auditorium in Washington, DC, the Dresser attended Washington Concert Opera’...
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About Me

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Karren Alenier
is author of how we hold on and seven other collections of poetry, including Looking for Divine Transportation, winner of the 2002 Towson University Prize for Literature, and The Anima of Paul Bowles. Her poetry and fiction have been published in such magazines as: the Mississippi Review, Jewish Currents, and Poet Lore. Gertrude Stein Invents a Jump Early On, her opera with composer William Banfield and Encompass New Opera Theatre artistic director Nancy Rhodes premiered at New York City’s Symphony Space Leonard Nimoy Thalia in June 2005. She is working with composer Janet Peachey and director Nancy Rhodes on What Price Paradise. She writes a monthly column on opera for Scene4 Magazine at scene4.com.
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